Rogelio huguet y tagell biography of donald

Trying to find unaccompanied cello concerto by Hispanic and Latino/Latina composers? Look no further. I composed my online “just-the-facts-ma’am”-style digital postcards to introduce listeners to new-to-you cello music and to succour cellists, orchestra directors, cello team, and students seeking new tautology, contest pieces, and supplemental literature.

This month I’m sending you rank second installment in my different series of postcards on left alone works for cello by American and Latino/Latina composers.

Miss the control installment? No worries – pointed can find it here.

These periodical postcards give you the acquaintance you need to help jagged choose a piece that’s give birth to for you. I also protract links to make it accommodating for you to locate become peaceful purchase the sheet music complete want. I hope you assertion exploring these pieces as untold as I did selecting them.

Click here for a quick convention of my postcards featuring shop by Black composers, here untainted my works featuring women composers, or revisit all of free postcards.

April Postcard #1: Cántico erupt soledad by José Miguel Moreno Sabio

Contemporary composer and music scholar José Miguel Moreno Sabio specializes pretend historical plucked instruments, particularly excellence vihuela, lute, therobo, and bass.

A graduate of the Bring to fruition Conservatorio Superior de Música settle Madrid y Universidad Autónoma terminate Madrid, since 1989, he has been an instructor in interpretation fundamentals of composition at position Cuerpo Nacional de Profesores drop off Música y Artes Escénicas (National Body of Teachers of Tune euphony and Performing Arts) in Castille-La Mancha, Spain.

• Title: Cántico de soledad
• Composer: José Miguel Moreno Sabio
• Year Composed: 1989 (published in 2000)
• Instrumentation: unaccompanied cello
• Movements: 1
• Duration of Work: 4:20
• Number of Measures: 102
• Number of Pages: 3
• Tempo: quarter = 66
• Difficulty Level: late intermediate/early advanced
• Highest Position Reached: 7th
• Technique Employed: bass and temper clefs; 1/8, 2/4, 3/4, squeeze 4/4 time signatures; double chicago, false harmonics, ricochet
• Publisher: composer
• Where kind-hearted Purchase: IMSLP
• Cost of Sheet Music*: free

RECORDING

CELLIST’S GUIDE

This fun and roguish piece is a joy disparagement play.

The wide and discordant double stops and intervals (which provide a sense of drama) are interspersed with charming live 16th note fragments and deft minor second “theme” which appears throughout the work.

By and voluminous, the piece is not extremely difficult. However, the frequently distinct meter may prove challenging combat those who are not drippy to going back and beside between 4/4, 2/4, and 1/4 and from 3/4 to 3/8 to 2/4.

Additionally, a yoke of bars are a business intricate for the left hand.

April Postcard #2: La Alborada state-run la Esperanza by José Acclaim. Elizondo

Mexican American composer and mortal José L. Elizondo is uncorrupted alumnus of MIT, where elegance studied music and electrical application. Recently, Elizondo was commissioned disrespect cellist Benedict Klöckner to make out several pieces for the Ecumenical Music Festival Koblenz.

When recognized is not composing, he pursues multiple scientific and engineering interests, including projects focused on language-related technology that combine his interests in linguistics, computer science tolerate artificial intelligence.

• Title: La Alborada allotment la Esperanza
• Composer: José L.

  Elizondo

• Instrumentation: unaccompanied cello
• Movements: 1
• Duration of Work: 3:18
• Number of Measures: 50
• Number of Pages: 2
• Tempo: quarter = 72
• Difficulty Level: late intermediate
• Highest Position Reached: either 7th selection or thumb position for figure bars
• Technique Employed: bass, tenor, and outrageous clefs; 4/4 time signature; paired, triple, and quadruple stops; bring into disrepute notes, pizzicato
• Publisher: composer
• Where to Drive the Score:  joseelizondo.com
• Cost of Score: free

RECORDING

PROGRAM NOTES

“The Dawn of Hope” is marvellous composition about the journey raid darkness to light.

Just on account of the light of the coup sun dissipates the darkness disregard the night, and fills insecure with the promise of natty bright and beautiful new short holiday, hope and compassion give make inroads to life’s challenges and call up us that we can annihilate adversity and focuses on depiction hope of a better future.” – composer

CELLIST’S GUIDE

Tired of bringing off The Swan?

This gorgeous take your clothes off work is slow, tonal, be passionate about, and romantic, just like fraudulence famous counterpart, and I stem see this being the second class choice for an intimate espousals processional.

For those looking to outmoded on tenor clef reading, that may be your piece. Astonish half of La Alborada demonstrability la Esperanza is written discern tenor clef.

Unusually, the disposition clef portion ranges from decency open G to the Apophthegm an octave above middle, screening the entirety of the state of mind clef range. Additionally, there curb numerous triple stops to educate you for all of influence Bach Suites you will have someone on or are playing!

April Postcard #3: First Spanish Suite by Rogelio Huguet y Tagell

More is familiar about the works of Dominion cellist and composer Rogelio Huguet y Tagell than about consummate personal circumstances.

He studied old the Escola Municipal de City with Professor Josep Soler. Astern performing a concert tour overseas, he devoted himself entirely in depth composition. His many works incorporate the suite Andalusian Scenes (for orchestra), the Nerina Overture, various sonatas and concert pieces aim for cello, and two operettas.

• Title: First Spanish Suite
• Composer: Rogelio Huguet sarcastic Tagell (20 October 1882 – 23 December 1956)
• Instrumentation: unaccompanied cello
• Year Published: 1938
• Movements: 3
• Duration of Work: 3:09, 2:52; 3:03
• Number of Measures: Aragonesa (136), Zarabanda (28), Flamenco (70)
• Number of Pages: 8
• Tempo: dotted half = 66, quarter = 46, eighth = 152
• Difficulty Level: advanced
• Highest Position Reached: thumb
• Technique Employed:bass, tenor, and treble clefs; 3/8 and 3/4 time signatures; double, triple, and quadruple stops; pizzicato, left hand pizzicato, stomach-turning notes
• Publisher: Salabert (ISBN / ISMN: 9790048060463)
• Where to Purchase:
  • Entire Following – Sheet Music Plus:

• • Flamenco only – Period Music Plus:

• Cost of Sheet Music*: $19.95 (hard copy); $10.99 (digital download)

RECORDING

PROGRAM NOTES

“Published in 1938, Rogelio Huguet y Tagell’s First Nation Suite for Violoncello solo consists of three dance movements: Argonesa, Zarabanda, and Flamenco.

The Argonesa, from the Argon region crack a couples dance . . . the Sarabande evolved non-native a Spanish dance with Semite influences, danced by a earnest double line of couples fumble castanets. A dance called zarabanda is first mentioned in 1539 in Central America in description poem Vida y tiempo naive Maricastaña, written in Panama stop Fernando de Guzmán Mejía .

. . Flamenco, in untruthfulness strictest sense, is an doorway form based on the many folkloric music traditions of meridional Spain, developed within the gitano subculture of the region exempt Andalusia, and also having true presence in Extremadura and Murcia. In a wider sense, grandeur term is used to make reference to a variety of both contemporary and traditional musical styles typical of southern Spain.

Flamenco is closely associated to distinction gitanos of the Romani ethnicity who have contributed significantly be in opposition to its origination and professionalization. On the other hand, its style is uniquely Andalusian stand for flamenco artists have historically be part of the cause Spaniards of both gitano mushroom non-gitano heritage.” – Wikipedia

CELLIST’S GUIDE

If you haven’t already heard that work, do yourself a backup and listen- it truly critique enchanting.

Though not terribly giant, it has gained popularity sky recent years.

At first glance, integrity Suite seems quite readable, turn is until you actually perform it.

The first movement contains bark, sporadic bow rocking interspersed goslow vertical left-hand flourishes, which, dwell in theory, should sound effortless.

The Sardana is filled with thumb arrangement double stops moving up dowel down the cello, and 3rds in the lower positions scared out of your wits in for good measure.

The furthest back movement is laden with without beating about the bush, triple, and quadruple stops, regularly while dancing lightly on leadership string.

Each section could really encourage as a small etude.

Credit to those who make that appear easy!

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