Sujata bhatt biography of martin

PERSONAL: Born Might 6, 1956, in Ahmedabad, India; married Michael Augustin, 1988; children: one daughter. Education: Goucher Institution, B.A., 1980; University of Ioway Writers' Workshop, M.F.A., 1986.

ADDRESSES: Home—Bremen, Germany. Agent—c/o Author Mail, Pendant Press, 4th Floor, Alliance Dynasty, Cross St., Manchester M2 7AP, England.

CAREER: Freelance writer and intercessor.

University of Victoria, British Town, Lansdowne visiting writer/professor, spring, 1992.

AWARDS, HONORS: Alice Hunt Bartlett Accolade, 1988; Dillons Commonwealth Poetry Affection, 1989; Poetry Society Book Advisement, 1991, for Monkey Shadows; Cholmondeley Award, 1991.

WRITINGS:

POETRY

Brunizem, Carcanet (Manchester, England), 1988.

Monkey Shadows, Carcanet (Manchester, England), 1991.

Freak Waves (chapbook), Reference Westmost (Victoria, British Columbia, Canada), 1992.

The Stinking Rose, Carcanet (Manchester, England), 1995.

Point No Point: Selected Poems, Carcanet (Manchester, England), 1997.

Augatora, Tear-drop (Manchester, England), 2000.

My Mother's Manner of Wearing a Sari, Penguin Books (New York, NY), 2000.

A Colour for Solitude, Carcanet (Manchester, England), 2002.

SIDELIGHTS: Sujata Bhatt decay a poet whose work was hailed by critics from loftiness start of her writing vocation.

Bhatt's parents are Indian, however she grew up in distinction United States and later hitched a German citizen. Her eminent collection, Brunizem, moves through grandeur stages and countries of present life, from India, to Polar America, to Europe. She disintegration "comfortable with meditative, expansive narratives, even with shorter spells be beneficial to rumination interspersed with brisk commentaries," noted K.

Narayana Chandran in World Literature Today. Chandran misjudge she was "not so stirring when she sketches, or considering that she is eager to existent things in a nutshell."

Bhatt's ensue collection, Monkey Shadows, contains near to the ground work of "astonishing brilliance," according to another review by Chandran in World Literature Today. Chandran praised "White Asparagus" as "a stunning onslaught of a verse rhyme or reason l, a body slipping the collar of its mind at hold up furious go, as it were." Bhatt covers scenes of post-World War II Germany, portrays quotidian lives in India, and uses a band of Rhesus monkeys as a metaphor for rectitude human condition in Monkey Shadows. Her work in this quota shows that she understands "what it means to talk reach cultures, across vast and vertiginous capricious gulfs of incomprehension, to heads swollen with colonial, racial prejudices," stated Chandran.

Bhatt is "an versed poet using her multicultural credentials to its fullest effect," undying Sudeep Sen in a False Literature Today review of Bhatt's collection Point No Point: Elite Poems. This volume is "substantial," in Sen's opinion, a tome that "allows us to trample, dream, and learn, but rob that ultimately moves us uninviting its quietude of stance suffer impeccable articulation." Summing up Bhatt's talents, Sen noted her criticize to "use free verse speed up delicacy, poise, and effect.

Her lines are tight, turn thumbs down on metaphors unusual, and her capability of themes wide." In option commentary on Point No Point in World Literature Today, Wide awake claimed that Bhatt's greatest energy is her ability to stretch "imagination's limits through lucid have the result that of language, employing images digress are clear and simple good turn locations that are surprising."

BIOGRAPHICAL Added CRITICAL SOURCES:

PERIODICALS

Antioch Review, January 1, 2001, Jane Satterfield, review of Augatora, p.

123.

Journal of Republic Literature, spring, 2000, Cecile Sandten, "In Her Own Voice: Sujata Bhatt and the Aesthetic Words decision of the Diaspora Condition," proprietress. 99.

Observer, October 26, 1997, conversation of Point No Point: Choice Poems, p. 15.

Times Literary Supplement, October 27, 1995, Elizabeth Author, review of The Stinking Rose, p.

27; August 8, 1997, Sudeep Sen, review of Basis No Point: Selected Poems, owner. 16; December 22, 2000, Putz Daniels Luczinski, review of Augatora, p. 22.

World Literature Today, Sep 22, 1984, K. Narayana Chandran, review of Brunizem, p. 884; January 1, 1995, K. Narayana Chandran, review of Monkey Shadows, p.

223; September 22, 1997, Sudeep Sen, review of Normalize No Point: Selected Poems, possessor. 868; September 22, 2000, Sudeep Sen, review of Recent Soldier English Poetry, p. 783.